Cultural policy of governments contributes to the preservation, development and distribution of arts and culture, at both national and international level. The most common means that is used for this is subsidy, but this also includes tax measures and legislation and regulations, such as high and low VAT rates and the Gift and Inheritance Tax Act. In this way, the cultural policy influences both the subsidised and the unsubsidised organisations in various sectors.
On this page
Themes cultural policy
All governments formulate their own cultural policy. The central government has formulated the following guiding principles for the period 2017-2020: quality is paramount, room for innovation, and profiling and cooperation as second nature. Important themes are cultural education, talent development, social value, digitalisation and international cultural policy. Discussions are currently being held about the cultural policy after 2020. There is more emphasis at provincial and municipal level on the regional and local cultural policy and facilities like cultural education and amateur arts.
Funding of the cultural policy
Politics determines how much government money is made available to fund this policy. This occurs at a central government level, as well as within provinces and municipalities. Governments and funds subsequently ask independent advisers to assess the quality of subsidy applications. They offer advice on awards to specific projects, companies and artists.
The Council for Culture is the independent legal advisory body of the government and the parliament in the fields of arts, culture and media. The Council for Culture offers advice on three levels: strategic policy advice, subsidy advice and implementation advice on the (protected) status of heritage. Within the context of subsidy advice, the Council for Culture provides advice every four years on the granting of government subsidies to cultural institutions, sectoral bodies and funds.
Expenditure at a central government level is often extensively discussed in the media. However, relatively few subsidies are granted by the central government, namely just 30% of the total number of subsidies. Municipalities, which fund 60% of all subsidies, are the real financial backers. The provinces have a 10% share. This allocation formula does not apply to all cultural institutions, because the policy per province and municipality differs greatly.
Basic infrastructure (BIS)
At central government level, a distinction is made between institutions that are part of the cultural basic infrastructure (BIS) and those that are not. The basic infra*structure is directly financed by the Ministry of Education, Culture and Science and includes the cultural funds, sectorial bodies and institutions that are of national importance according to the government. They all receive a four-year subsidy. A large proportion of all cultural institutions receive (additional) subsidies via one of the six government funds, which are included in the basic in*frastructure: Performing Arts Fund NL, Netherlands Film Fund, Cultural Participation Fund, Creative Industries Fund NL, Dutch Founda*tion for Literature and Mondriaan Fund.
A separate policy for the media (radio and TV broadcasters and internet) has been drawn up by the Ministry of Education, Culture and Science. This media policy ensures that the media in the Netherlands and at European level form a varied range of radio and television stations, that they can work independently and are accessible to everyone.
In addition, the government ensures that the media is used in a responsible manner. The European Audiovisual Media Services Directive (which, among other things, is geared towards enabling free traffic of broadcasting services on the internal market of EU member states) and the Media Act form the basis of the media policy.